How to Paint

Begin by learning how to embrace the physicality, messiness, and freedom inherent in the earliest stages of a painting. Professor Allman demonstrates how to practice loose, dynamic paint strokes using your entire arm - not just your fingers and wrist - and also goes over some of the basic supplies you will use when starting out. Better Living

You have your (acrylic) paints and your brushes, now what? First, learn what kinds of surfaces are best for beginning painters and how to choose the one that works for you. Then, follow Professor Allman as he walks you through a demonstration on creating gradients, and get to know the kinds of brushes you will use to achieve different lines and effects.

Value - the spectrum of light and darkness in an image - is crucial to the way our brains translate images into meaning. See why understanding value is more important than understanding color, and develop your ability to pinpoint value differences in your subjects. Follow along with a demonstration on how to break an image down into its fundamental values.

This episode opens with a brief look at the rendering of three-dimensional forms using light and shadow, known as volume, and why it is easier to achieve than you might think, once you know how to look at the effects of light. Paint geometric objects using your new understanding of light sources, cast shadows versus form shadows, and reflective effects.

Understanding color is about discerning the subtle differences in value, hue, and saturation. Professor Allman introduces practical color theory and shows you how to break colors down into a simple matrix so you can create the shades you need. Learn how to directly mix paints and the principles of optical mixing as you create your own 12-step color wheel and value scales.

Why is color like musical notes? In this second look at color, learn how context and interaction is key, and why a limited palette of four or five colors can be surprisingly powerful. Create a quick painting from a monochrome reference image, using just four colors, while utilizing ratio, value, and temperature to do the heavy lifting of the piece.