After the sudden death of Pina Bausch in the summer of 2009 – in the middle of joint preparations before shooting – Wim Wenders, after a period of mourning and reflection, had to rethink and start again with his film about and with Pina Bausch. The result was a film for Pina Bausch. Using the choreographies which had been jointly selected – 'Café Müller', 'Le Sacre du printemps', 'Vollmond' and 'Kontakthof', - and using some images and audio files of her life as well as 3D recordings of individual ensemble members of the Tanztheater Wuppertal who in spring of 2010 danced personal memories of the precise, critical and loving nature of their great mentor.