The Man Whose Mind Exploded
Film · Documentaire

Drako Oho Zaraharzar can remember modelling for Salvador Dali and hanging out with The Stones. But he can’t remember yesterday. This “beautifully intimate and utterly unique piece of cinema” gained 4 star reviews from The Times, The Guardian and The Independent in the UK. Filmed over four years, The Man Whose Mind Exploded attempts to understand and accept the worldview of someone with serious brain damage, and it resonates for anyone who’s tried to care for someone who may not be great at caring for themselves. Following a severe head injury, Drako Zaraharzar suffers from terrible memory loss, he can access memories from before his accident, but can’t imprint new ones. As he puts it, “the recording machine in my head doesn’t work”. Consequently, and as an antidote to depression he chose to live “completely in the now” according to the bizarre mottos delivered to him whilst in a coma. Toby Amies starts off making a film exploring Drako’s lurid and exotic backstory including work with Dali, Warhol’s Factory, Les Folies Bergère, and Derek Jarman. But frighteningly soon a line is crossed, and the documentary maker becomes carer. Drako’s way of life and the extraordinary collage of notes to self and erotic art he lives in [the source of the film’s title] threatens his health. What follows is unique, eccentric, funny and moving documentary about the relationship between two men, one who’s trying to make a film about the other, who’s existing in what appears to be a separate reality.

2014 · 1h 17m
  • 100%
En vedette Drako Oho Zarharzar
Réalisation Toby Amies

Bandes-annonces

  • The Man Whose Mind Exploded
    The Man Whose Mind Exploded
    Documentaire

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Distribution et équipe technique

  • D‌O
    Drako Oho Zarharzar
    Dans son propre rôle
  • T‌A
    Toby Amies
    Réalisateur
  • D‌A
    Daisy Asquith
    Producteur
  • D‌B
    Dunstan Bruce
    Producteur
  • R‌A
    Rob Alexander
    Producteur
  • T‌A
    Toby Amies
    Producteur

À propos

The Man Whose Mind Exploded

Documentaire

Drako Oho Zaraharzar can remember modelling for Salvador Dali and hanging out with The Stones. But he can’t remember yesterday. This “beautifully intimate and utterly unique piece of cinema” gained 4 star reviews from The Times, The Guardian and The Independent in the UK. Filmed over four years, The Man Whose Mind Exploded attempts to understand and accept the worldview of someone with serious brain damage, and it resonates for anyone who’s tried to care for someone who may not be great at caring for themselves. Following a severe head injury, Drako Zaraharzar suffers from terrible memory loss, he can access memories from before his accident, but can’t imprint new ones. As he puts it, “the recording machine in my head doesn’t work”. Consequently, and as an antidote to depression he chose to live “completely in the now” according to the bizarre mottos delivered to him whilst in a coma. Toby Amies starts off making a film exploring Drako’s lurid and exotic backstory including work with Dali, Warhol’s Factory, Les Folies Bergère, and Derek Jarman. But frighteningly soon a line is crossed, and the documentary maker becomes carer. Drako’s way of life and the extraordinary collage of notes to self and erotic art he lives in [the source of the film’s title] threatens his health. What follows is unique, eccentric, funny and moving documentary about the relationship between two men, one who’s trying to make a film about the other, who’s existing in what appears to be a separate reality.

100 %

TOMATOMÈTRE
Moyenne 7.7
Avis 8
Frais 8

Informations

Studio
Dogwoof
Sortie
2014
Durée
1 h 17 min
Classification
14A Frontal nudity and death
Région d’origine
Royaume-Uni
© 2013 Succulent Pictures/Perfectmotion LTD

Langues

Audio original
Anglais, Anglais (Royaume-Uni), Français
Audio

Anglais (Royaume-Uni) (AAC)

Sous-titres

Anglais (Sous-titres codés), Anglais (Royaume-Uni) (Toujours activé)

Accessibilité

Les sous-titres codés (CC) désignent des sous-titres existant dans les langues disponibles et contenant des informations pertinentes ne relevant pas du dialogue.
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