Misery

Film · Musique

Fusing together the areas of visual art, music, literature, and history, composer Michael J. Evans presents his multimedia project, MISERY, on Navona Records. Taking inspiration, text, and imagery from Russian author Anton Chekhov’s (1860-1904) tale of the same name, the composer’s work can serve multiple functions: an anti-concerto for bassoon, the soundtrack for an illustrated graphic novel or silent film, the music for a stage work (dance, pantomime, shadow, or puppet theater), or any combination of the aforementioned.The music illustrates the story of a despondent Russian sleigh-driver named Iona Potapov, embodied by the bassoon. Antithetical to that which the soloist would typically play in a romantic concerto, generally representing a heroic figure, the soloist here represents a character who fades into the background, creating an anti-concerto. The music is closely connected to the text, depicting the forlorn protagonist’s unsuccessful attempts to tell his story to each of his fares. Although he is surrounded by people, Potapov is completely alone. When the bassoon cadenza is finally reached, he can freely express his grief, no longer bound by words alone, or the social conventions limiting his expression of pain. The piece culminates in an emotional climax and catharsis.KEY POINTS• Evans has developed MISERY to be used in a number of educational and multimedia settings, including as an instructional tool for teachers when introducing classical music and/or Russian literature to students• This release includes both the orchestral recording of Misery as well as an animated silent film of Chekhov’s narrative with Evans’ work as the music• Audiophile Audition has described Evans’ music as “relaxing and beautiful sounds in a ‘light classical’ vein [that] would also make great film music”• Evans is an active composer of orchestral, chamber, and solo instrumental works. His musical language is post-modern, mixing elements of various styles and time periods into a cohesive work• Evans’ previous releases on Navona Records include CIPHER (2014), EIDOLA (2011), and BLOOM (2009)

2016 · 41m
En vedette Moravian Philharmonic Orchestra, Jan Hudeček, Petr Vronský
Réalisation Michael J. Evans

Bandes-annonces

  • Misery
    Misery
    Musique

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Distribution et équipe technique

  • M‌P
    Moravian Philharmonic Orchestra
    Performer
  • J‌H
    Jan Hudeček
    Performer
  • P‌V
    Petr Vronský
    Conductor
  • S‌A
    Sam Apple Cummins
    Performer
  • M‌J
    Michael J. Evans
    Director
  • M‌J
    Michael J. Evans
    Réalisation

À propos

Misery

Musique

Fusing together the areas of visual art, music, literature, and history, composer Michael J. Evans presents his multimedia project, MISERY, on Navona Records. Taking inspiration, text, and imagery from Russian author Anton Chekhov’s (1860-1904) tale of the same name, the composer’s work can serve multiple functions: an anti-concerto for bassoon, the soundtrack for an illustrated graphic novel or silent film, the music for a stage work (dance, pantomime, shadow, or puppet theater), or any combination of the aforementioned.The music illustrates the story of a despondent Russian sleigh-driver named Iona Potapov, embodied by the bassoon. Antithetical to that which the soloist would typically play in a romantic concerto, generally representing a heroic figure, the soloist here represents a character who fades into the background, creating an anti-concerto. The music is closely connected to the text, depicting the forlorn protagonist’s unsuccessful attempts to tell his story to each of his fares. Although he is surrounded by people, Potapov is completely alone. When the bassoon cadenza is finally reached, he can freely express his grief, no longer bound by words alone, or the social conventions limiting his expression of pain. The piece culminates in an emotional climax and catharsis.KEY POINTS• Evans has developed MISERY to be used in a number of educational and multimedia settings, including as an instructional tool for teachers when introducing classical music and/or Russian literature to students• This release includes both the orchestral recording of Misery as well as an animated silent film of Chekhov’s narrative with Evans’ work as the music• Audiophile Audition has described Evans’ music as “relaxing and beautiful sounds in a ‘light classical’ vein [that] would also make great film music”• Evans is an active composer of orchestral, chamber, and solo instrumental works. His musical language is post-modern, mixing elements of various styles and time periods into a cohesive work• Evans’ previous releases on Navona Records include CIPHER (2014), EIDOLA (2011), and BLOOM (2009)

Informations

Studio
Navona Records
Sortie
2016
Durée
41 min
Classification
Tout public
Région d’origine
États-Unis
© 2016 Navona Records

Langues

Audio original
Anglais
Audio

Anglais (AAC)

Sous-titres

Anglais (Toujours activé, Sous-titres codés)

Accessibilité

Les sous-titres codés (CC) désignent des sous-titres existant dans les langues disponibles et contenant des informations pertinentes ne relevant pas du dialogue.
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