Cathedrals

A dedicated dean oversees the final stage of a major renovation project at a historic cathedral despite significant financial stress. Meanwhile, a sudden regional proposal threatens to dissolve the entire diocese.

Lía tracks down Elmer, the investigator who handled the case 30 years earlier. She finds that he's become a writer and an independent investigator, completely jaded by the system and the police force that closed her sister's case without answers.

Lía, Alfredo and Mateo meet with Marcela at San Gabriel Church, as Marcela insists it is the same place where Ana's tragedy took place 30 years earlier. There, Lía confronts her with a suspicion she can no longer keep silent.

During the parish youth camp, Ana goes through days of apparent enthusiasm that conceal a deep loneliness; away from her usual surroundings, she finds refuge in drawing and in the silent observation of those around her.

During the parish youth camp, Ana goes through days of apparent enthusiasm, but carries a secret she is unable to share with anyone. Her closeness to a figure within the parish community leaves her emotionally exposed and confused.

Ana goes through a time of great fragility, surrounded by adults who, guided by their own religious and moral convictions, believe they know what is best for her. Carmen reinforces her role as the guardian of the family order.