We Are the Flesh

In post-apocalyptic Mexico, a creepy man forces two siblings to fulfill his dark desires in exchange for shelter. Though they’re resistant at first, Lucio and Floria quickly realize if they want to eat, they better do what he says, no matter how repulsive it may be. To say any more would spoil things, but if you’re a fan of foreign arthouse shockers that mix sex, violence and scary surrealism, like Carlos Reygadas’ BATTLE IN HEAVEN, Pasolini’s SALO and Jodorowsky’s THE HOLY MOUNTAIN, you need to check out Emiliano Rocha Minter’s transgressive terror tale.