The Man Whose Mind Exploded

Film · Dokumentalny

Drako Oho Zaraharzar can remember modelling for Salvador Dali and hanging out with The Stones. But he can’t remember yesterday. This “beautifully intimate and utterly unique piece of cinema” gained 4 star reviews from The Times, The Guardian and The Independent in the UK. Filmed over four years, The Man Whose Mind Exploded attempts to understand and accept the worldview of someone with serious brain damage, and it resonates for anyone who’s tried to care for someone who may not be great at caring for themselves. Following a severe head injury, Drako Zaraharzar suffers from terrible memory loss, he can access memories from before his accident, but can’t imprint new ones. As he puts it, “the recording machine in my head doesn’t work”. Consequently, and as an antidote to depression he chose to live “completely in the now” according to the bizarre mottos delivered to him whilst in a coma. Toby Amies starts off making a film exploring Drako’s lurid and exotic backstory including work with Dali, Warhol’s Factory, Les Folies Bergère, and Derek Jarman. But frighteningly soon a line is crossed, and the documentary maker becomes carer. Drako’s way of life and the extraordinary collage of notes to self and erotic art he lives in [the source of the film’s title] threatens his health. What follows is unique, eccentric, funny and moving documentary about the relationship between two men, one who’s trying to make a film about the other, who’s existing in what appears to be a separate reality.

2014 · 1h 17m
  • 100%
Występują Drako Oho Zarharzar
Reżyser Toby Amies

Zwiastuny

  • The Man Whose Mind Exploded
    The Man Whose Mind Exploded
    Dokumentalny

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Obsada i twórcy

  • D‌O
    Drako Oho Zarharzar
    W roli własnej
  • T‌A
    Toby Amies
    Reżyser
  • D‌A
    Daisy Asquith
    Producent
  • D‌B
    Dunstan Bruce
    Producent
  • R‌A
    Rob Alexander
    Producent
  • T‌A
    Toby Amies
    Producent

Informacje

The Man Whose Mind Exploded

Dokumentalny

Drako Oho Zaraharzar can remember modelling for Salvador Dali and hanging out with The Stones. But he can’t remember yesterday. This “beautifully intimate and utterly unique piece of cinema” gained 4 star reviews from The Times, The Guardian and The Independent in the UK. Filmed over four years, The Man Whose Mind Exploded attempts to understand and accept the worldview of someone with serious brain damage, and it resonates for anyone who’s tried to care for someone who may not be great at caring for themselves. Following a severe head injury, Drako Zaraharzar suffers from terrible memory loss, he can access memories from before his accident, but can’t imprint new ones. As he puts it, “the recording machine in my head doesn’t work”. Consequently, and as an antidote to depression he chose to live “completely in the now” according to the bizarre mottos delivered to him whilst in a coma. Toby Amies starts off making a film exploring Drako’s lurid and exotic backstory including work with Dali, Warhol’s Factory, Les Folies Bergère, and Derek Jarman. But frighteningly soon a line is crossed, and the documentary maker becomes carer. Drako’s way of life and the extraordinary collage of notes to self and erotic art he lives in [the source of the film’s title] threatens his health. What follows is unique, eccentric, funny and moving documentary about the relationship between two men, one who’s trying to make a film about the other, who’s existing in what appears to be a separate reality.

100%

TOMATOMETER
Średnia 7.7
Recenzje 8
Fresh 8

Informacje

Studio
Dogwoof
Wydane
2014
Czas trwania
1 godz. 17 min
Kategoria wiekowa
Nie Nadano Kategorii Wiekowej
Regiony pochodzenia
Wielka Brytania
© 2013 Succulent Pictures/Perfectmotion LTD

Języki

Dźwięk oryginalny
Angielski, Angielski (Wielka Brytania), Francuski
Dźwięk

Angielski (Wielka Brytania) (AAC)

Napisy

Angielski (Napisy), Angielski (Wielka Brytania) (Zawsze włączone)

Dostępność

Napisy dla niesłyszących (closed captions) to napisy w dostępnym języku z dodatkiem istotnych informacji pozadialogowych.
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