Analysis and Critique: How to Engage and Write about Anything

What makes a particular piece of writing "good"? As you explore Professor Armstrong's roadmap for the course, examine how a range of writing samples - including an essay by Virginia Woolf, poetry by Homer, and even a short note from a teenage girl to her mother - demonstrate essential aspects of effective writing.

Active, insightful reading skills are essential to any writer's success. View the craft of writing from the reader's perspective and train yourself to recognize nuanced moments and ideas in literary texts, including Moby-Dick and Le Morte Darthur, as well as the subtleties hidden within a practical set of driving directions.

Focus now on prose - the most common form of writing people engage with. Why is a writer's voice such an important part of his or her work? How can you create a distinctive voice? What can authors like Hemingway, James, and Salinger teach you about the varieties of narrative styles?

A common danger for a writer is not respecting your audience. Learn how to avoid this pitfall by deducing the intended audience for Edgar Allan Poe's "The Black Cat" and Charlotte Perkins Gilman's "The Yellow Wallpaper," and by closely reading student essays that miss, misjudge, or offend their intended readers.

Swift's "A Modest Proposal" and Thoreau's "Civil Disobedience" are two of the most famous argumentative essays in the Western literary tradition. Using their opening passages, examine why it's so important that your opening argument be specific, be substantive, and pass what Professor Armstrong calls the "What?/So What?" test.